Andrew Scott transforms into the ultimate con man, Tom Ripley, in Netflix‘s limited series adaptation of Patricia Highsmith’s novel “The Talented Mr. Ripley” —but he still found human qualities to latch onto when embodying the chilling, metamorphic character.
“He’s an outsider and he’s somebody who’s quite downtrodden and somebody who’s brilliantly talented who’s on the outskirts of society,” Scott told PvNew at the “Ripley” premiere Wednesday night in Los Angeles. “He’s a lonely — or at least an isolated — figure. And he’s put into this world full of people who are very entitled and confident, and so there was plenty of him that I found easy to attach to.”
Adapted by writer, director and creator Steven Zaillian, the series follows Ripley, who is sent to Italy to convince the affluent loafer Dickie Greenleaf (Johnny Flynn) to return stateside. Tom gets a taste of the high life and decides he wants it for himself —and, as fans of the book or previous film adaptations know —he takes extreme measures to do so.
Scott continued, “I always say he’s not a natural born killer. He’s not bloodthirsty. He’s invited into this world, he doesn’t seek it out. And then the darkness within him emerges. So I feel like there’s a lot of him that I can at least attempt to try and understand.”
Tom has the qualities of a chameleon, slipping on personalities and mimicking the mannerisms of others; this is was an aspect of the character Scott could understand. “He’s just a keen observer of human nature, which is what an actor is as well, so you just try and hold on to that side of things that I can relate to as a performer,” he said.
Meanwhile, Dakota Fanning plays Marge Sherwood, Dickie’s girlfriend who suspects something’s not quite right about Tom.
“Reading the scripts, I just loved them so much and knew that it would be very challenging —you know the story is a lot from Tom’s perspective, and the scripts are written from Tom’s perspective,” she explained. “The other characters that Tom is speaking to are living in their reality, but it’s not necessarily Tom’s reality. So figuring out where everyone’s narratives diverge and intersect — it was fun to keep track of all of that.”
Fanning added, “Getting to play a character that’s really with Tom from the beginning to the end —and also was quite suspicious of him from the start —was also really fun.”
At the helm of the series is Zaillian, who stayed true to Highsmith’s book while also adding his own flair —like a plotline relating to the Italian painter Caravaggio.
“I’m very specific when I write,” Zaillian said. “I’m not afraid of writing into a script what a person is feeling, what they’re thinking, when they’re lying when they’re saying something. And so [Tom] was a pretty clear character on the page. Of course, [Scott] comes in and he puts his own self into that character. So there’d be surprises every day, but we didn’t have long conversations before.”
Fanning teased what viewers can expect from the series, which hit Netflix on April 4: “I think this is really a noir —I mean it’s in black and white, so automatically that’s telling you the tone and the mood that this is going for.”
