Rose Glass was destined to be a director from a young age. Upon leaving home she studied film and video at London College of Communication, UAL - where she directed her first 'proper' shorts - and also gained experience as a runner on professional sets. Eventually she made her way to the NFTS, where she made acclaimed short Room 55 and began working on the idea for Saint Maud.In the years following she waitressed and worked as a cinema usher whilst working on the treatment and teamed up with fellow Breakthrough Brit Oliver Kassman. Initially Rose was intimidated by the idea of directing a feature, especially after finding the writing process quite isolating, but once she started, the collaborative nature of the experience made everything a complete joy.
Bio:
Rose Glass was destined to be a director from a young age. Upon leaving home she studied film and video at London College of Communication, UAL - where she directed her first 'proper' shorts - and also gained experience as a runner on professional sets. Eventually she made her way to the NFTS, where she made acclaimed short Room 55 and began working on the idea for Saint Maud.In the years following she waitressed and worked as a cinema usher whilst working on the treatment and teamed up with fellow Breakthrough Brit Oliver Kassman. Initially Rose was intimidated by the idea of directing a feature, especially after finding the writing process quite isolating, but once she started, the collaborative nature of the experience made everything a complete joy.
Tivia:
Rose Glass was destined to be a director from a young age. Upon leaving home she studied film and video at London College of Communication, UAL - where she directed her first \'proper\' shorts - and also gained experience as a runner on professi
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Rose Glass was destined to be a director from a young age. Upon leaving home she studied film and video at London College of Communication, UAL - where she directed her first 'proper' shorts - and also gained experience as a runner on professional sets. Eventually she made her way to the NFTS, where she made acclaimed short Room 55 and began working on the idea for Saint Maud.In the years following she waitressed and worked as a cinema usher whilst working on the treatment and teamed up with fellow Breakthrough Brit Oliver Kassman. Initially Rose was intimidated by the idea of directing a feature, especially after finding the writing process quite isolating, but once she started, the collaborative nature of the experience made everything a complete joy.
