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John Mackenzie

Director,Editor,Additional Crew

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A solid and reliable filmmaker with frequent flairs of brilliance, Mackenzie gave up a career in acting because of a desire to control what he was doing. He assisted Ken Loach on his classic early TV plays such as Cathy Come Home (1966), which inspired him and gave him the best training a TV director could dream of. It also taught him how to work with local people when filming on location and how to work quickly. But his interest was more in storytelling than political filmmaking and he began directing himself, with fabulous results.He made three features early in his career, the best being Unman, Wittering and Zigo (1971), a superb Hitchcockian thriller which proved his skill at suspense, something his no-one seemed to remember for another ten years. He returned to TV to enjoy the golden age on Play for Today (1970), and formed a fruitful collaboration with Scottish writer Peter McDougall for four brilliant films. The first, Just Another Saturday (1975), won the Prix Italia. Mackenzie also directed Dennis Potter's Double Dare (1976) superbly and produced a huge body of work including Red Shift (1978), A Passage to England (1975) and Shutdown (1973).He always showed a brilliant ability to draw honest and natural performances from his actors, and frequently cast comedians or singers. He moved to features decisively with The Long Good Friday (1980) but a decade spent in Hollywood proved unfulfilling, artistically. Although he never achieved the recognition he richly deserved, Mackenzie was one of Britain's finest filmmakers.
John Mackenzie
Bio: A solid and reliable filmmaker with frequent flairs of brilliance, Mackenzie gave up a career in acting because of a desire to control what he was doing. He assisted Ken Loach on his classic early TV plays such as Cathy Come Home (1966), which inspired him and gave him the best training a TV director could dream of. It also taught him how to work with local people when filming on location and how to work quickly. But his interest was more in storytelling than political filmmaking and he began directing himself, with fabulous results.He made three features early in his career, the best being Unman, Wittering and Zigo (1971), a superb Hitchcockian thriller which proved his skill at suspense, something his no-one seemed to remember for another ten years. He returned to TV to enjoy the golden age on Play for Today (1970), and formed a fruitful collaboration with Scottish writer Peter McDougall for four brilliant films. The first, Just Another Saturday (1975), won the Prix Italia. Mackenzie also directed Dennis Potter's Double Dare (1976) superbly and produced a huge body of work including Red Shift (1978), A Passage to England (1975) and Shutdown (1973).He always showed a brilliant ability to draw honest and natural performances from his actors, and frequently cast comedians or singers. He moved to features decisively with The Long Good Friday (1980) but a decade spent in Hollywood proved unfulfilling, artistically. Although he never achieved the recognition he richly deserved, Mackenzie was one of Britain's finest filmmakers.

Tivia: Grandfather of Alexandra Weaver.
Overview
Name: John Mackenzie Type: Director,Editor,Additional Crew (IMDB)
Area: All World Platform: IMDB
Category:
Movie
Business scope: Director,Editor,Additional Crew
Products for sale: Director,Editor,Additional Crew
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John Mackenzie data
Last update: 2024-07-01 04:10:15
John Mackenzie profile
Biography: A solid and reliable filmmaker with frequent flairs of brilliance, Mackenzie gave up a career in acting because of a desire to control what he was doing. He assisted Ken Loach on his classic early TV plays such as Cathy Come Home (1966), which inspir
Trivia: Grandfather of Alexandra Weaver.
Quotes: [on Michael Caine] I had a very good idea of what to expect from Michael Caine. He's the pure, elegant professional; two or three takes and that's it.
Job title: Director,Editor,Additional Crew
Others works: Directed the horrific Apaches (1977) Public Information Film, that mentally scarred a generation of rural schoolchildren in the 1970s and early 1980s. Provided a commentary for the DVD release of The Long Good Friday (1980).
Spouse: Wendy Marshall (1956 - ?) (her death, 3 children)
Relatives: Alexandra Weaver (Grandchild)
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