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Cannes’ Annecy Animation Showcase Frames New Films From Iwaisawa Kenji, Otto Guerra, Maria Trenor
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2024-02-28
The Match Factory Picks Up ‘The Sweet East,’ Premiering in Cannes’ Directors’ Fortnight
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On an Awards and Box Office Roll, South Indian Filmmakers Reveal Secrets of Success at CII Dakshin Conference
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PVR Inox Chief Ajay Bijli Reveals Growth Strategy of India’s Merged Multiplex Group
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Blue Finch Film Releasing Boards International Sales on Western Thriller ‘Head Count’ – Cannes Market
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Drew Starkey to Star With Daniel Craig in Luca Guadagnino’s ‘Queer’ With Filming Starting This Month in Italy
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Deckert Boards ‘Pure Unknown,’ ‘My Father’s Prison’ Ahead of Premieres at Visions du Reel
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Leo Maidenberg’s Banner Sets Daphna Levin’s ‘The Truth,’ ‘Fantomette’ and ‘Tango’ Adaptations, Leila Sy’s ‘Le Miraculé’
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Cannes Unveils 2023 Poster Featuring French Cinema Icon Catherine Deneuve
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Box Office: ‘Super Mario Bros. Movie’ to Rule Over ‘Evil Dead Rise’ and ‘Guy Ritchie’s the Covenant’
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George Clooney Confirms Mark Wahlberg, Johnny Depp Rejected ‘Ocean’s Eleven’: ‘They Regret It Now. I Regret F—ing Batman’
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L.A. Movie Theaters Ready for a Big Comeback This Year With the Egyptian, Vista and Vidiots
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Little Richard Documentary Filmmaker on Why Rock Pioneer Didn’t Feel He Had Been Recognized Enough
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Joaquin Phoenix ‘Just Started Screaming’ on ‘Beau Is Afraid’ Set in Order to ‘Fully Humiliate’ Himself: ‘The Most Intense Guttural Pain Scream’
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Jonathan Majors’ Issues Worsen as More Alleged Abuse Victims Cooperate With D.A.’s Office
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Marketing Chiefs Talk Digital vs. Linear, Tighter Budgets and Scoring Viral Successes: ‘TikTok is Ground Zero Right Now’
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Hot Docs, Netflix Reveal Canadian Projects Selected for Incubator Program
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HBO Max Follows Finland’s Historic Female Cabinet for Documentary Series ‘First Five’
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Take That Musical Adaptation ‘Greatest Days’ Unveils Nostalgia-Laden Trailer, Release Date
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Cleopatra’s African Heritage in Netflix Docudrama Sparks Uproar in Egypt
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