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Hitmaker Bailey Zimmerman Took Heartbreak to a Record-Breaking Place With ‘Rock and a Hard Place’
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Back to the Future: How Miguel’s ‘Sure Thing’ Became a Hit for a Second Time
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Laura Karpman Talks ‘Unbelievable’ Year Scoring Both ‘The Marvels’ and ‘American Fiction’
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Shows With Arab, Muslim Characters Go Global: ‘This Is a Culture That Loves Telling Stories’
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Susan Sarandon Apologizes for Remarks at Pro-Palestine Rally: My ‘Phrasing Was a Terrible Mistake’
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Netflix Boards Saudi Director Fatima Al-Banawi’s Mental Health Drama ‘Basma’ – First Look Image
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‘A Year of No Significance’ Chronicles a Fading Generation of Chinese-Educated Singaporeans – SGIFF
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Fan Bingbing Unpacks LGBT Role in ‘Green Night’ at Electrifying, Fan-Friendly Singapore Masterclass: ‘When Souls Connect There Is Love’
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‘Lovers Fare Goodbye,’ ‘Memories of a Burning Body,’ ’Knightmares,’ ‘Woman,’ ‘Impermanence’ Win Big at Ventana Sur, as Attendance Skyrockets
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Hope Runs High Acquires U.S. Rights to Augusto Sandino’s ‘A Vanishing Fog’ – Film News in Brief
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Taylor Swift to Earn More Than $100 Million From Spotify Alone in 2023
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How Netflix’s ‘May December’ Mirrors the Mary Kay Letourneau Tabloid Sex Scandal
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Prime Video Sports Sets Documentary About DeSean Jackson as NFL Star Retires
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What Do the Writers of ‘Flowers,’ ‘Last Night’ and ‘Calm Down (Remix)’ Have in Common? Manager Jaime Zeluck Hindlin
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John Woo Talks Dialogue-Free ‘Silent Night’ and Not Retiring Anytime Soon: ‘I’ll Keep Making Movies as Long as I’m Still Alive’
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Kyle Kauwika Harris Thriller ‘Reverence’ Begins Production in Oklahoma
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